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Marena Perez and Daniel Ramirez Appear as Guest Artists in Midstate Ballet's THE NUTCRACKER, 12/8 & 9

Marena-Perez-and-Daniel-Ramirez-Appear-as-Guest-Artists-in-Midstate-Ballets-THE-NUTCRACKER-128-9-20010101

Marena Perez, principal dancer of the Balleteatro Nacional de Puerto Rico, and Daniel Ramirez, principal soloist of the Balleteatro Nacional de Puerto Rico, will appear as guest artists in the Midstate Ballet's production of The Nutcracker. The Performances will take place tonight, December 8 (Evening) and 9 (Matinee), 2012 at the Strand Capitol Performing Arts Center in York, Pennsylvania.

Born in San Juan, Puerto Rico, MARENA PÉREZ began her ballet training at Ballet de Nana Hudo. Among her teachers while as a student and professional dancer have been Miguel Campaneria, Maria Carrera, Jose Pares, Carlota Carrera, Lourdes Gomez, Joaquin Banegas, Lolita San Miguel, Susan Pilarre, Ray Sullivan, and Nana Hudo.

Ms. Pérez began her professional career as a dancer with the Compania de Ballet Teatro Municipal of San Juan. In 1998 Ms. Pérez joined Ballet Concierto de Puerto Rico and was promoted to the rank of soloist in 2002.

In 2005 Ms. Pérez joined Balleteatro Nacional de Puerto Rico, and was promoted to the rank of principal dancer. From 2007 to 2009 Ms. Pérez joined Andanza, a contemporary dance company in Puerto, and in 2010 she returned to Balleteatro Nacional de Puerto Rico to resume her career as a principal dancer.

Ms. Pérez's repertoire includes principal and soloist roles in the 19th century classics including the title role in Giselle, Aurora in The Sleeping Beauty, the Sugar Plum Fairy in The Nutcracker, the title role in Carmen, the title role in Cinderella, Odile in Swan Lake, Swanhilda in Coppelia, and the roles of Charlotte in The Phantom of the Opera, Cerrito in Grand Pas de Quatre, Nikiya and Gamzatti in La Bayadere, The Dying Swan, and Paquita.

Ms. Pérez has also received critical acclaim for her performances in neo-classical and contemporary roles including roles in George Balanchine's Serenade, Jerome Robbins' In The Night, William Dollar's The Combat, Emilia in Jose Limon's The Moor's Pavane, Septime Webre's Carmina Burana, Alberto Mendez's Munecos, and pas de deux including Satanella, Flames of Paris, Don Quixote Pas de Deux, Talisman, William Tell, Esmeralda, Le Corsaire, and Spring Waters.

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