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Pacific Northwest Ballet at City Center


Related: Pacific Northwest Ballet, Carla Korbes, Seth Orza, Peter Boal, Balanchine

Agon was the last ballet on the program, and I found it rusty and unfocused. I was hoping to see the ballet in its original form: not the beautiful bodies we see today but the urgency and embattlement that the music and choreography so clearly insinuate. But this was not the case here. Bodies, limbs and arms seemed unsure-where was the contest battle between bone and spirit? Not here.

Pacific Northwest Ballet is definitely a fine company. And under Peter Boal it has a first-class artistic director. Everything should be in place to make this one of most outstanding regional companies. If it failed to hit the mark in New York this time, in the words of Betty Comden and Adolph Green: "we'll catch up some other time." And I hope it's soon.

On a final note I would like to ask City Center's management to please turn down the heat. Opening night was stifling--which isn't good because heat sits on your head and will put you to sleep. Not something you want when you see a performance.

Photo Credit: Lindsay Thomas

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Barnett SerchukA passionate and enthusiastic dance lover with other interests in books, theater, music and architecture. I have served as the director of the docent program at the New York City Ballet. I am interested in all facets of dance, and do not limit myself to only one dance brand, as I call it. This encompasses ballet, modern, folk and whatever else there is. Call me eclectic.
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