A well honored tradition, New York City Ballet performs George Balanchine's rendition of the The Nutcracker.
Su-En, one of Sweden's foremost Butoh dancers, explores darkness in her work 'SOOT'
George Balanchine is commonly referred to as the father of neoclassical ballet. His vision allowed him to see another side of the art, and his works ushered in a paradigm shift that would affect it forever. By stripping his ballets of their plots and trappings, Balanchine exposed the raw beauty of movement and made dances that were about dance and little else.
The American Ballet Theater launches an ambitious production of the historically problematic Le Corsaire.
One of the country's highest regarded ballet schools presents it's annual workshop performance series and gives their students a chance to be seen by scouts from companies from around the globe.
As part of the Amerixan Music Festival, City Ballet honors a choreographer whose work has greatly influenced 20th century American dance.
Three European choreographers present three very different works as part of the New York City Ballet's American Music Festival.
One of the world's leading contemporary companies brings two exciting works to New York.
A company known for its energy and humor fallas flat in some areas but excells in others during this incredibly demanding program.
Three classic Martha Graham ballets are revitalized by this world class modern dance company.
An ambitious staging of a timeless classic, City Ballet's production of the Sleeping Beauty is a mixed bag of dancing and story telling.
A glimpse into the work of an promising new choreographer, Justin Peck, alongside two NYCB treasures Glass Pieces and Vienna Waltzes.
What better way for the New York City Ballet to begin a new season than with a night of Balanchine/Tschaikovsky ballets that highlight exactly what the company has become known for throughout the years? Beginning its 2013 winter season with a four week venture that the company has dubbed a "Tschaikovsky Celebration", I had the pleasure of attending the opening night on January 15th, when a sold out house came out to greet one of New York's most treasured artistic institutions.
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