Lydia Kyasht

To be perfectly honest, I'm not sure if I liked Frederick Ashton's Sylvia at the Metropolitan Opera House on Wednesday evening, June 26, or not. It had lots of things in its favor, but where was the spark? What's special about this ballet, and how did it get from Paris 1876 to New York City 2013? Is there something that eludes me? I decided to do a little excavating on my own.